牛房倉庫 Ox Warehouse

27/08/2026

澳門藝術家李卓媚參與高雄市金馬賓館當代藝術館與澳門牛房倉庫（EXiM）合作計劃

影像沙盒 x EXiM (II):
空地 -- 李卓媚作品展

展覽將於9月1日開幕。藝術家將前往高雄參與開幕並於當天舉辦座談會，與當地觀眾進行面對面交流。

座談會時間：2026/09/01, 14:00 - 15:30
展期：2026/9/1– 9/30
展覽地點：高雄金馬賓館當代美術館一樓「記憶 」展間

計劃主持人: 邵雅曼 × 羅禾淋 × 李少莊
合作單位：高雄金馬賓館當代美術館 × 澳門牛房倉庫（EXiM）

Macau artist Cheok-Mei Lei will participate in the joint project by ALIEN Art Centre, Kaohsiung and Ox Warehouse (EXiM), Macau

VIDEO SANDBOX x EXiM (II) :
Ground without Borders — Works by Cheok-Mei Lei

The exhibition will open on September 1st, and the artist will travel to Kaohsiung to attend the opening ceremony and host a art talk on the same day, engaging directly with the local audience.

Art Talk Time: 2026/09/01, 14:00 - 15:30
Exhibition Period: 2026/9/1 – 9/30
Exhibition Venue: ‘Memory’ Gallery, 1st Floor, ALIEN Art Centre, Kaohsiung

Project Moderators :
Yaman Shao x Helin Luo x Bianca Lei
Co-organisers：
ALIEN Art Centre x Ox Warehouse (EXiM)

20/08/2026

【UNDINE——關於水體及其神話的研究 Research into Bodies of Water and Their Myths 】駐場成果分享 Residency Sharing by Natascha Moschini

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《UNDINE》是一項跨領域研究計畫，旨在探索與歐洲上萊茵地區相關的水精靈 「Undine」的神話。透過檔案研究與身體實踐，探討神話如何形塑我們與水體的連結——以及反過來，我們與水的關係又如何形塑神話。 Moschini 探究當地的水故事、經濟力量與環境變遷，如何同時影響水體本身及其周邊的社區。融合民間傳說、表演與場域研究，《UNDINE》反思水賦予與奪取生命的能量，以及我們如何與水互動並呵護它。

在澳門和上海， Moschini 探討對媽祖／天后等海神崇拜的現象，同時也關注那些曾經在旅行與運輸中扮演重要角色、如今卻日益受到觀光業影響的傳統水鄉。這些變化引發了關於人們如何與水互動，以及文化、社會與環境變遷如何影響這些地方及其居民的諸多疑問。

UNDINE is an interdisciplinary research project exploring the myth of Undine, the water spirit associated with the Upper Rhine region of Europe. Through archival research and embodied practice, the project looks at how myths shape our connection to bodies of water—and how, in turn, our relationship with water shapes myth. Moschini explores how local water stories, economic forces, and environmental change affect both the waters themselves and the communities living alongside them. Blending folklore, performance, and site-based research, UNDINE reflects on water’s power to give and take life, and on how we relate to and care for it.

In Macao and Shanghai, Moschini looks at the worship of sea deities such as Mazu/Tin Hau, as well as at traditional water towns that were once important for travel and transport but are now increasingly shaped by tourism. These changes raise questions about how people relate to water, and how cultural, social, and environmental changes affect both the places and the people who live there.

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༄ 時間 Time：2026.08.30（SUN） 7:00pm
༄ 地點 Venue： 澳門黑沙環巷10號發利工業大廈9樓A座 （SHOTCUT Production）Tv. da Areia Preta, No. 10, Edificio Industrial Fat Lei, 9/F A, Macau

報名連結 Register link： https://forms.gle/xNSiyxyVWTirbTwV6

＊分享會將以英文進行 ，討論環節備有中英翻譯
The sharing will be conducted in English. Discussion session will feature CH-EN translation.

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Natascha Moschini 在瑞士巴塞爾生活及工作，是一位表演者兼舞蹈創作者，其作品探討人體美學、詩學與政治性。她探究社會權力結構如何銘刻於身體之中，並透過身體得以展現。她的創作根植於身體探索、空間介入與概念研究，發展出能反思身體在社會中所扮演角色的編舞與戲劇構思形式。

Based in Basel, Switzerland, Natascha Moschini is a performer and dance maker whose work explores the aesthetics, poetics, and politics of the human body. She investigates how social power structures are inscribed in and expressed through the body. Rooted in somatic exploration, spatial intervention, and conceptual research, her practice develops choreographic and dramaturgical forms that reflect on the body’s role in society.

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該活動由瑞士文化基金會上海辦事處資助 Sponsored by Pro Helvetia Shanghai

.shanghai ,

14/08/2026

澳門藝術家何淑瀅作品@高雄市金馬賓館當代藝術館

The Artworks of Macau Artist Elaine Ho @ ALIEN Art Centre, Kaohsiung

《臨界點》為金馬賓館當代美術館與澳門牛房倉庫（Ox Warehouse）合作之國際交流計畫的展出作品之一。牛房倉庫（前身為「婆仔屋藝術空間」）為澳門重要的非牟利獨立藝術組織，長年以較另類而富實驗精神的當代創作為核心，...

05/08/2026

影像沙盒國際交流計畫｜當時間來到臨界，我們如何保持平衡？
Video Sandbox International Exchange｜How Do We Remain in Balance at a Critical Point?

隨著 2025 年度 #影像沙盒計畫 盒計畫 落幕，接下來三個月，我們將展開「國際交流計畫」，由金馬賓館當代美術館與澳門藝術空間 #牛房倉庫 合作，陸續呈現三檔澳門藝術家展覽。

首檔邀請藝術家 #何淑瀅，帶來雙頻實驗動畫《臨界點》。
何淑瀅長期投入動畫與動態影像創作，現任澳門理工大學藝術及設計學院講師。
作品圍繞「時間／運動」，透過四個場景與不同色彩鏡片轉換觀看方式，
映照一個看似平衡、卻懸於臨界的世界。

當思緒加速、身體彷彿停留原地，作品以舒緩聲響，在失序之中尋找修復的可能。
#牛房倉庫 長期推動當代藝術展覽與跨地域交流。

此次合作，讓來自澳門的影像創作抵達高雄，也開啟不同城市之間的觀看與交流。
同時，2026 年 #影像沙盒 現正徵件中，邀請創作者以影像回應當代議題。

Following the 2025 programme, a three-month International Exchange Programme with will present three exhibitions by artists from Macao. The first features ’s dual-channel animation Critical Point, exploring time and motion through shifting colour lenses and gentle soundscapes. Bringing moving-image practices from Macao to Kaohsiung, the programme opens a dialogue between the two cities. The 2026 Open Call is also now underway.

📽️ 影像沙盒「國際交流計畫」｜牛房倉庫
Video Sandbox International Exchange Programme｜Ox Warehouse
藝術家 Artist｜何淑瀅 Elaine Ho
作品 Work｜《臨界點》Critical Point
展期 Exhibition Period｜2026.08.01－08.31
了解展覽 Learn More｜https://www.alien.com.tw/u/zh-tw/pages/Critical_Point

📽️ 2026 Video Sandbox 影像沙盒徵件中
2026 Video Sandbox Open Call
徵件期間 Application Period｜2026.07.15－09.15 17:00
年度主題 Annual Theme｜淨零成為創作法 Net Zero as a Creative Method
了解計畫 Learn More｜https://www.alien.com.tw/u/zh-tw/pages/Sandbox26

金馬賓館當代美術館 ALIEN Art Centre
牛房倉庫 Ox Warehouse

28/07/2026

澳門三位藝術家的影像作品即將於高雄市展出！

高雄「金馬賓館當代藝術館」此次與澳門「牛房倉庫（EXiM）」攜手合作，共同推出「影像沙盒 x EXiM」展覽計劃。三位澳門藝術家將進駐藝術館一樓「記憶」展間，接力呈現三個精彩的個人作品展。

本系列計劃將由

影像沙盒 × EXiM (I) ——
『臨界點』何淑瀅作品展

率先打響頭炮，為雙城的影像藝術交流揭開序幕。

展期：2026/8/1–8/30
展覽地點：高雄金馬賓館當代美術館一樓「記憶 」展間

計劃主持人: 邵雅曼 × 羅禾淋 × 李少莊
合作單位：高雄金馬賓館當代美術館 × 澳門牛房倉庫（EXiM）

The video works of three artists from Macau will be exhibited in Kaohsiung!

ALIEN Art Centre, Kaohsiung, has partnered with Macau's Ox Warehouse (EXiM) to jointly launch the "VIDEO SANDBOX x EXiM" exhibition project. The three artists from Macau will take over the "Memory" gallery on the first floor of the art centre, presenting three compelling solo exhibitions in succession.

Shaking up the opening, the series will kick off with

VIDEO SANDBOX × EXiM (I) —
'Critical Point' - works by Elaine Ho ,

unveiling a vibrant exchange of video art between the two cities.

Exhibition Period：
2026/8/1–8/30

Exhibition Venue：
‘Memory’ Gallery, 1st Floor, ALIEN Art Centre, Kaohsiung

Project Moderators :
Yaman Shao x Helin Luo x Bianca Lei

Co-organisers：
ALIEN Art Centre x Ox Warehouse (EXiM)

30/06/2026

未來可．科技影像藝術展｜策展人介紹 - 𝗖𝘂𝗿𝗮𝘁𝗼𝗿𝘀' 𝗕𝗶𝗼
ꜰᴜᴛᴜʀᴇ ɪɴ ᴛʜᴇ ᴍᴀᴋɪɴɢ: 𝘛𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺 𝘢𝘯𝘥 𝘔𝘰𝘷𝘪𝘯𝘨 𝘐𝘮𝘢𝘨𝘦 𝘈𝘳𝘵 𝘌𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯

孫曉宇
Sun Xiaoyu

現生活工作於杭州，藝術家、策展人，現任教於中國美術學院跨媒體藝術學院實驗藝術系。畢業於中國美術學院跨媒體藝術學院並獲得碩士學位，主要研究方向為「空間影像敘事」，擅長多頻影像創作，研究以「空間影像」作為核心創作方法論，通過「從近未來到山水精神」作為核心課題貫通藝術創作實踐與專業教學體系。創作中依託人工智能（AI）和空間影像裝置等多元媒介融合路徑，試圖連接過去與未來在山水中的時空感知，通過山水影像行動回溯、挖掘、探討與思考中國文化基因中偉大的山水精神之文脈傳統，完成東方山水美學的當代媒介轉譯與觀念重構。

作品曾獲2024年「郎靜山130週年紀念攝影大賽」評審獎、2024第二屆成都國際攝影周金芙蓉攝影藝術獎優秀攝影藝術家二等獎、2021年兩岸青年藝術創作展「對影為鏡」創作獎、2019年入選華宇青年獎提名。作品被武漢美術館、澳門藝術博物館、廣東大新美術館等專業藝術機構收藏，曾於中國美術館、英國薩奇美術館、北京時代美術館、德國格林博物館、澳門藝術博物館等海內外重要藝術機構參與學術展覽與藝術項目。

Sun Xiaoyu now lives and works in Hangzhou. An artist and curator, she teaches in the Department of Experimental Art at the School of Intermedia Art, China Academy of Art. She earned a master’s degree from the School of Intermedia Art, China Academy of Art. Her research centers on “spatial image narrative”, and she specializes in multi-channel image creation. Using “spatial image” as her fundamental creative methodology, she takes “From the Near Future to the Spirit of Shanshui” as a central research framework, bridging artistic practice with professional teaching systems. By adopting an integrated approach that spans diverse media, including artificial intelligence (AI) and spatial image installations, her work seeks to connect perceptions of time and space in shanshui (a style of traditional Chinese painting that depicts scenery or natural landscapes) across past and future. Through her shanshui image-making practice, she traces, uncovers, explores, and reflects on the profound cultural lineage of the shanshui spirit embedded in Chinese cultural DNA, realizing the contemporary media translation and conceptual reconstruction of oriental shanshui aesthetics.

She has received numerous accolades, including the Jury Award of the 2024 Lang Jingshan 130th Anniversary Photography Competition, the Second Prize for Outstanding Photographic Artist at the Golden Hibiscus Photography Art Award of the 2nd Chengdu International Photography Week 2024, and the Creation Award of the 2021 Cross-Strait Youth Art Exhibition: Mirroring Through Reflections. She was also nominated for the Huayu Youth Award in 2019. Her works are collected by professional art institutions such as Wuhan Art Museum, Macau Museum of Art, and Guangdong Daxin Art Museum. She has participated in academic exhibitions and art projects at major art venues at home and abroad, including the National Art Museum of China, Saatchi Gallery (UK), Beijing Times Art Museum, Green Museum (Germany), and Macau Museum of Art.

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　　　　　未來可．科技影像藝術展
　　　　　　ꜰᴜᴛᴜʀᴇ ɪɴ ᴛʜᴇ ᴍᴀᴋɪɴɢ
　　　𝘛𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺 𝘢𝘯𝘥 𝘔𝘰𝘷𝘪𝘯𝘨 𝘐𝘮𝘢𝘨𝘦 𝘈𝘳𝘵 𝘌𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯

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​地點 𝐕𝐞𝐧𝐮𝐞
↪︎ 澳門市政牧場舊址（牛房）澳門美副將大馬路與罅些喇提督大馬路交界 Former Municipal Cattle Stable (Intersection of Avenida do Coronel Mesquita and Avenida Almirante Lacerda, Macau)
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展期 𝐄𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧 𝐏𝐞𝐫𝐢𝐨𝐝
↪︎2026.06.01~06.30 ​ 10:00~19:00 ​
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免費入場 FREE ADMISSION

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Photos by Pui Cheng Lei

30/06/2026

未來可．科技影像藝術展｜策展人介紹 - 𝗖𝘂𝗿𝗮𝘁𝗼𝗿𝘀' 𝗕𝗶𝗼
ꜰᴜᴛᴜʀᴇ ɪɴ ᴛʜᴇ ᴍᴀᴋɪɴɢ: 𝘛𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺 𝘢𝘯𝘥 𝘔𝘰𝘷𝘪𝘯𝘨 𝘐𝘮𝘢𝘨𝘦 𝘈𝘳𝘵 𝘌𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯

管懷賓
Guan Huaibin

管懷賓，1989 年浙江美術學院畢業（現中國美術學院），2004 年東京藝術大學大學院博士後期課程畢業（博士學位）。中國美術學院教授／博導／跨媒體藝術學院前院長；獲中國美術學院哲匠獎與資深教授榮譽。

過去二十多年裡，他參與過不少國際性重要展覽。包括越後妻有三年展、神戶雙年展、威尼斯雙年展平行展、上海雙年展等重要國際展事，並在日本東京藝術大學美術館、埼玉縣立近代美術館、橫浜美術館、澳門藝術博物館等相繼舉辦個展。

Guan Huaibin, graduated from the China Academy of Art (formerly Zhejiang Academy of Fine Arts) in 1989, and graduated from the Doctoral Program (latter stage) at the Graduate School of Tokyo University of the Arts in 2004 (PhD). He teaches as a professor of China Academy of Art and is the Dean of School of Intermedia Art. His remarkable contributions have been honored with the prestigious Philosopher Award and the distinction of Senior Professor from China Academy of Art.

Over the past two decades, Guan Huaibin has made significant contributions to numerous internationally acclaimed exhibitions. His participation includes prestigious events such as the Echigo-Tsumari Triennale, Kobe Biennale, Parallel Exhibition of Venice Biennale, and Shanghai Biennale. His solo exhibitions have been showcased at esteemed venues including Tokyo University of the Arts Art Museum, Saitama Prefectural Museum of Modern Art, Yokohama Art Museum, and Macao Museum of Art.

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　　　　　未來可．科技影像藝術展
　　　　　　ꜰᴜᴛᴜʀᴇ ɪɴ ᴛʜᴇ ᴍᴀᴋɪɴɢ
　　　𝘛𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺 𝘢𝘯𝘥 𝘔𝘰𝘷𝘪𝘯𝘨 𝘐𝘮𝘢𝘨𝘦 𝘈𝘳𝘵 𝘌𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯

​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ◌ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ◌ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ◌ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​

​地點 𝐕𝐞𝐧𝐮𝐞
↪︎ 澳門市政牧場舊址（牛房）澳門美副將大馬路與罅些喇提督大馬路交界 Former Municipal Cattle Stable (Intersection of Avenida do Coronel Mesquita and Avenida Almirante Lacerda, Macau)
​
展期 𝐄𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧 𝐏𝐞𝐫𝐢𝐨𝐝
↪︎2026.06.01~06.30 ​ 10:00~19:00 ​
​
免費入場 FREE ADMISSION

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Photos by Pui Cheng Lei

30/06/2026

〚今天！！展期最後一天〛
請勿錯過最後參觀機會 ✨

The exhibition ends today—make sure to check it out before it’s gone.

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　　　　　未來可．科技影像藝術展
　　　　　　ꜰᴜᴛᴜʀᴇ ɪɴ ᴛʜᴇ ᴍᴀᴋɪɴɢ
　　　𝘛𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺 𝘢𝘯𝘥 𝘔𝘰𝘷𝘪𝘯𝘨 𝘐𝘮𝘢𝘨𝘦 𝘈𝘳𝘵 𝘌𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯

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​地點 𝐕𝐞𝐧𝐮𝐞
↪︎ 澳門市政牧場舊址（牛房）澳門美副將大馬路與罅些喇提督大馬路交界 Former Municipal Cattle Stable (Intersection of Avenida do Coronel Mesquita and Avenida Almirante Lacerda, Macau)
​
展期 𝐄𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧 𝐏𝐞𝐫𝐢𝐨𝐝
↪︎2026.06.01~06.30 ​ 10:00~19:00 ​
​
免費入場 FREE ADMISSION

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Photos by Fan Xianxin

30/06/2026

【今天《未來可》展期最後一天，請勿錯過！】

澳門日報-Macao Daily News 刊登 《未來可．科技影像藝術展》藝評一展 🪐 感謝作者「宛如」的用心書寫

全文： https://www.macaodaily.com/html/2026-06/30/content_1917749.htm

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九位（組）藝術家以影像生成、算法編程、光影裝置等媒介，展開了一場從制度解構到記憶書寫、從秩序重估到文明辯證的系統性反思。展覽的整體結構並非簡單的技術批判，而是一種認識論的翻轉：它不再追問“技術能為我們做什麼”，而是追問“在技術的嚴密系統中，何處還留有我們無法被計算、被預測、被消費的剩餘”。這個剩餘，是算法試圖抹除卻總會遺留的卡頓與延遲，是數據模型永遠無法擬合的異常值，是標準化敘事中那些格格不入的地方性知識與傳說。

尤為值得注意的，是展覽對“誤差”的美學化與政治化處理。在技術邏輯之中，誤差是需要被優化的缺陷；而在展覽的語境中，誤差成為了抵抗的據點。這種立場並非浪漫化的反技術懷舊，而是一種高度智性的策略：唯有在系統最精密的運算中，識別出它無法消弭的裂痕，我們才能真正理解那個永遠不能被符號秩序徹底填充的真實界。展覽空間本身也強化了這一感受——借用的歷史建築與沉浸式的未來主義視聽場域形成張力，觀眾身體的在場成為連接兩個異質系統的界面，在光影與數據的沖刷中，被迫直面自身作為“系統殘餘”的存在狀態。

“未來可”的批判性並不在於否定技術，而在於對技術中心主義的理性祛魅。它的核心宣言可以被這樣概括：未來的本質不在於算法預設的終點，而在於系統縫隙中由人文餘量、未知變量與誤差所滋生的多元可能。在這個意義上，展覽不僅是一場視覺實驗，更是一份沉靜而堅定的政治聲明——在技術試圖讓一切變得平滑、可控、可預測的時代，藝術的任務是守護那道永遠無法被填平的裂縫，並提醒我們：我們一直、也將永遠活在裂開的世界裡。

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　　　　　未來可．科技影像藝術展
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