Surround Terakoya [English]

Surround Terakoya [English] Surround Sound workshop for next generations.

I up load a Sound Design for the Dolby Atmos Mix of “MAD MAX: FURY ROAD” 2015 88th Academy Award for Sound Editing on SA...
14/12/2025

I up load a Sound Design for the Dolby Atmos Mix of “MAD MAX: FURY ROAD” 2015 88th Academy Award for Sound Editing on SARAUNDO TERAKOYA H.P

The MAD MAX series is crafted with a distinctive visual sensibility. This marks the fourth installment, with the latest film being 2024 Furiosa. Rather than relying heavily on CG, real-life filming took place in the Namibian desert and the suburbs of Sydney. This analysis examines the design aspects of this two-hour epic, crafted by the team led by Mark Mangini (who also won Best Sound for Blade Runner 2049 in 2017) for its vehicle sounds and battle scene sound design, alongside Ju**ie XL's score—a fully orchestrated composition requiring 18 months of work—and 8 months of sound production, culminating in a 75-day Dolby Atmos mix.
The height channels are also used sparingly, often only for front-left to front-right (FL-FR) placement.

                   Mick Sawaguchi,                    Fellow M. AES/ips                 UNAMAS-Label・Surround Terakoya Introduction The MAD ...

I up loaded  an analyze the sound design by DolbyAtmos mix of Blade Runner 2049, the 35-year-later remake of the 1982 ma...
08/10/2025

I up loaded an analyze the sound design by DolbyAtmos mix of Blade Runner 2049, the 35-year-later remake of the 1982 masterpiece Blade Runner, as it is an outstanding nominee 2017.
Canadian director Denis Villeneuve, who won the Best Sound Editing award in 2016 for Arrival, once again breaks the mold of science fiction films. Rather than relying on CGI and green screens, he prioritized filming on realistic sets, brilliantly realizing his concept of integrating music and sound design.
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