Sunpride Foundation 驕陽基金會

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Sunpride Foundation 驕陽基金會

Sunpride Foundation was launched in 2014 with the mission to embrace and promote the rich creative history of LGBTQ community.

The SUNPRIDE FOUNDATION embraces the rich creative history of LGBTQ community. By exhibiting and preserving art that speaks to the society at large, it aims to foster a stronger, healthier and more equitable world for LGBTQ people and their allies; and to encourage and inspire a generation of young artists to take action and create positive changes to the LGBTQ experience.

驕陽基金會以LGBTQ族群豐富深厚的創作歷史為傲。透過展覽及典藏具有與大眾對話、引發社會共鳴力量的各類型藝術作品；並藉由鼓勵新生代藝術家用創作來為LGBTQ族群發聲，驕陽基金會希望用藝術的力量建構一個更團結、健康、平等的社會。

22/06/2026

The Korea Times | Q***r art finds home in Seoul: Inside ‘Spectrosynthesis’ and collector's vision

Art collector Patrick Sun on discovering Korean voices, tracking changes in LGBTQ landscape

“Rather than coming as an outsider, doing what we think is right, we need to listen to the local people and see what their views are, what the difficulties are or if we could help in any way”

Full article:
https://www.koreatimes.co.kr/lifestyle/arts-theater/20260618/q***r-art-finds-home-in-seoul-inside-spectrosynthesis-and-collectors-vision

15/06/2026

Refresh Magazine | Spectrosynthesis - What the Framework Should Contain

A Review on “Spectrosynthesis Seoul” at Art Sonje Centre by Philippe Riss-Schmidt and Myron Kim

“The exhibition begins before you enter. Sin Wai Kin's ESSENCE (2024) runs on an LED screen installed in place of the museum's main entrance, formatted as a luxury fragrance advertisement.”

“Inside, the basement Art Hall is where the exhibition finds its most concentrated register. Young-jun Tak's "Their Fear in Our Opening" (2026) hangs at the entrance: two wooden sculptures showing the faces of two men carved onto the bodies of po***ck, a fish traditionally believed to ward off evil.”

“On the second floor, the exhibition opens with siren eun young jung's Sick Seoul (2026), a four-channel video that follows q***r citizens who participated in the street protests after the martial law declaration of December 2024. “

Full article:
https://www.refresh.art/reviews/spectrosynthesis-seoul-what-the-framework-should-contain/

Image courtesy of Artists / Art Sonje Centre / Refresh Magazine

09/06/2026

OCULA | How Q***r Art in Asia Blossomed

Spectrosynthesis IV, the fourth edition of Sunpride Foundation’s celebration of q***r art in Asia, reminds us that LGBTQ+ communities continue to struggle with mainstream acceptance.

Spectrosynthesis Seoul (until 28 June) at Art Sonje Centre, Seoul

Full article: https://ocula.com/magazine/spotlight/sunpride-seoul-spectrosynthesis-q***r-art/

Image courtesy of the artists / Art Sonje Center

01/06/2026

ArtAsiaPacific | What to See in “Spectrosynthesis Seoul 2026” — Standout works not to miss at the 2026 edition of the major LGBTQ+ exhibition at Art Sonje Center in Seoul

Sin Wai Kin, ESSENCE (2024)
Dew Kim, DEEPSPACE PAROUSIA (2026)
siren eun young jung, Sick Seoul (2026)
Inhwan Oh, Where He Meets Him in Seoul, 2001–

Full article: https://reurl.cc/GaR4Dx

Image courtesy of the artists / Art Sonje Centre

28/05/2026

Bangkok Post | Q***r expression in focus at 'Spectrosynthesis Seoul'

"Inhwan Oh inscribes the names of gay bars and clubs in Seoul across the gallery floor using powdered incense, which is then set alight, releasing smoke and scent into the space."

"Dew Kim reconstructs processes through which oppressed bodies acquire new forms. Meanwhile, Ibanjiha presents a new large-scale canvas installation addressing how social minorities showed resistance and solidarity in response to the martial law situation in late 2024."

Full article: https://reurl.cc/V2v4ln

Image courtesy of the artists / Art Sonje Centre

21/05/2026

𝙎𝙥𝙚𝙘𝙩𝙧𝙤𝙨𝙮𝙣𝙩𝙝𝙚𝙨𝙞𝙨 𝙎𝙚𝙤𝙪𝙡
《스펙트로신테시스 서울》
2026. 3. 20 – 6. 28

With his own perspectives on gender, kinships, and motherhood, Jes Fan has been exploring the concept of “otherness” in his field and discussing the relationship between binary body and identity through his practice. Sculpture is Fan’s major medium, exploring the concept of bio-politics with his concerns on the topics of diaspora experience, transgender identity, neo–materialism and posthumanism.

范加對性別、親屬關係和母性擁有獨特的解讀，其跨領域實踐從持續研究「他者化」的概念出發，探討兩性身體和身份的關係。范加主要以雕塑為媒介探索生物物質性的概念，關注遷移經歷、跨性別身份、新物質主義和後人類主義等議題。

Image courtesy of the artist / Empty Gallery

18/05/2026

𝙎𝙥𝙚𝙘𝙩𝙧𝙤𝙨𝙮𝙣𝙩𝙝𝙚𝙨𝙞𝙨 𝙎𝙚𝙤𝙪𝙡
《스펙트로신테시스 서울》
2026. 3. 20 – 6. 28

Haneyl Choi (b.1991, Seoul, Korea) is a sculptor who explores sculpture’s formative potential as a narrative framework, yielding symbolic configurations of individuals, archetypes, and sites of encounter that engage multiple visual perspectives and elicit indeterminate interpretations. In his body of work, the ambiguity that pervades Choi’s oeuvre informs his ongoing inquiry into sculpture’s expressive potential as both signifier and signified, and bespeaks his critical stance toward identity politics, consumer culture, normative social structures, and postmodern discourse in contemporary art.

崔河那（1991年韓國首爾出世）是一位雕塑家，致力探索雕塑作為敘事架構的發展潛力，得出涉及多重視覺觀點並引出不明確詮釋的個人、典型和交接地點的象徵性結構。在作品中滲透的模稜兩可揭示他無間斷地探究雕塑作為能指和所指的表達潛能，並表明他對於當代藝術中的身份政治、消費文化、社會規範結構和後現代話語的批判立場。

Image courtesy of the artist / Art Sonje Centre

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https://sunpride.hk/

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