Vital Xposure

Vital Xposure Vital Xposure promotes hidden voices with extraordinary stories to tell. Use this page to share your views on theatre, social justice and disability.

Our mission is to create exciting, innovative theatrical experiences for audiences, artists and communities alike. All work presents an inclusive experience where access issues do not intrude upon the aesthetic of the productions. Feel free to email us to ask questions and share your stories. Our contact details are on www.vitalxposure.co.uk

It’s that time of the year when we look at what numbers say about our work.We’re thrilled to see how much was achieved i...
22/07/2026

It’s that time of the year when we look at what numbers say about our work.

We’re thrilled to see how much was achieved in 2025 – 26, how many artists and partners we continued to work with and how many more new joined – and shaped! – ambitious activities with daring questions about disabled-led theatre-making!

A huge THANK YOU to all from the bottom of our hearts.

We cannot wait to meet again and continue exploring how we can put dreams about theatre into action.

Image description: Black and white text on a dark orange background reads:
VX’s 2025 – 2026 in numbers
67 artists, crew, associates and collaborators
50 peers and professionals
1 OFFIES Award 2026 for Innovation
8 new partners and sector allies
3 Research reports about theatre-making

We had such a wonderful and fun time at the VX Lab – Puppetry and Disability this month at our home Albany Deptford!Faci...
30/06/2026

We had such a wonderful and fun time at the VX Lab – Puppetry and Disability this month at our home Albany Deptford!

Facilitated by puppetry artists Marc Parrett and Nikki Charlesworth, the Lab explored how puppetry adapts to different people and how these adaptations enhance storytelling in theatre.

A joyous week characterised by a playful approach from all actors and theatre makers involved.

It quickly became clear that puppets and puppetry deliver through a particular set of conventions that apply to their operation and manipulation:
✔️ how we expect puppets to move
✔️ how they are made
✔️ who they represent
✔️ where the eye-gaze of the puppet is set

The team then explored and interrogated how these conventions define the way puppets tell a story.

A compelling discovery was a frequently discussed parallel between the relationship of puppets and the all-powerful puppeteer who controls the puppet’s movements and words against the lived experience of disabled people who are frequently moved or touched without being asked.

Thank you to Lee Philips, Simi Roach, Ciaran Steward, Jasmine Thien and Ellie Walwork for coming to play with us!

Read more on our website: https://buff.ly/IvwDuMr

Look out for the Lab findings later in the year.

Huge CONGRATULATIONS to the creatives for winning the OFFIES Innovation Award 2026 Off West End for our production …blac...
30/04/2026

Huge CONGRATULATIONS to the creatives for winning the OFFIES Innovation Award 2026 Off West End for our production …blackbird hour written by babirye bukilwa!

A wonderful recognition of the magic that happens when story, design and creative access come together in a play!

We are so proud and thrilled!

Head to our website to read more about the creative team.

📷 Seye Isikalu

As the global theatre community prepares to celebrate World Theatre Day this Friday, we are reflecting on our work and h...
26/03/2026

As the global theatre community prepares to celebrate World Theatre Day this Friday, we are reflecting on our work and how VX Labs, our pioneering research programme, are driving new approaches to accessibility, storytelling and artistic leadership across UK theatre.

Through these labs we are demonstrating how disabled-led practice can reshape how theatre is made, placing access, collaboration and lived experience at the centre of the creative process.

As Josh Elliott, Artistic Director said:

“World Theatre Day feels like a good moment to say that this work has to be more than rhetoric. If we’re serious about broadening who theatre is for, and who gets to shape it, then that learning has to be embedded in the work we make. At Vital Xposure, we’re trying to put our money where our mouth is by taking what’s come out of our Labs and applying it directly to the work we’re developing now, including When I See Blue and Chouette. What’s become clear to us is that access and disabled leadership don’t limit the artform – they open up richer possibilities for what theatre can be."

Our unique disabled-led methodology brings into focus something often overlooked in the creative process: the journey of the artist, particularly playwrights.

Our message behind this year’s World Theatre Day is clear: access, diversity and artistic excellence are not separate ambitions. they are deeply connected. Through research, artist development and new writing, the company is helping build a future where disabled artists lead the creation of new theatrical forms and where access is recognised as a powerful creative force.

Read more: https://buff.ly/e2eP0TQ

Photo featuring Zoë McWhinney and Rinkoo Barpaga (front), and Mary-Jayne Russell de Clifford (back) at the VX Lab: Creating a Playscript in BSL.

📷 Charlie Swinbourne

25/02/2026

Zoë McWhiney, one of he Deaf artists in our VX Lab - Creating A Playscript in BSL, which took place at Sheffield Theatres , shared her answer to the key question: is it possible to write a script in BSL?

Head to our website to watch the full interview. www.vitalxposure.co.uk.

Full findings from the Lab will be shared later this year – stay tuned!

. With thanks to

📸🎬 Charlie Swinourne, video editing and photography
🖍 Beka Haytch, illustrations - storytelling visuals

Video description: extracts from Zoë’s interview with photos by Charlie and storytelling visuals by Beka.

Transcript: " I am a writer and I want to create more BSL-centred scripts which put BSL first. My burning question is what is the fastest and most convenient way to write a BSL script that is also accessible to all people who know sign language, so they can read it too. I want theatres to be prepared to fund BSL scripts. To understand that we need to build an audience’

18/02/2026

Rinkoo Barbaga, one of he Deaf artists in our VX Lab - Creating A Playscript in BSL, which took place at Sheffield Theatres , shared his thoughts his answer to the key question: is it possible to write a script in BSL?

Head to our website to watch the full interview. www.vitalxposure.co.uk

Full findings from the Lab will be shared later this year – stay tuned!

. With thanks to

📸🎬 Charlie Swinourne, video editing and photography
🖍 Beka Haytch, illustrations - storytelling visuals

Video description: extracts from Rinkoo's interview with photos by Charlie and storytelling visuals by Beka.
Transcript: "We need theatre directors to accept that we want BSL in our scripts. The most important thing is to be able to create in BSL on the document, which we can then further develop. It’s really important for the deaf community to use body language with facial expressions. This has been a new way of working for me."

11/02/2026

Our VX Lab: Children and Young People Report is published!

We are excited to share findings from the Lab we delivered in partnership with !

The report highlights how theatre can be made for and with children and young people when access is assumed as a creative opportunity.

We are grateful to the artists, facilitators and partners for making this Lab a reality, as well as the children and young people who actively shaped the work made for them!

WHAD DID WE LEARN?
✔️ Creating theatre for and with children and young people can be both taken seriously and fun.
✔️ Accessible theatre for children and young people is not a compromise on artistic quality, but a driver of it.
✔️ Interstitial spaces matter. These refer to “spaces between structures”: admin, logistics

Let’s debunk the myth that theatre for children and young people is ‘less important’ theatre!

READ MORE IN THE REPORT: https://buff.ly/JOHJdcd

“This Lab prioritised creating a space for children and young people to share the full arc of their theatre experience from entering the building to leaving it, and in doing so created a clear mechanism through which their wishes, frustrations and responses could directly shape work made for them” - Josh Elliott, VX Artistic Director

“This Lab demonstrated what’s possible when children’s theatre is treated as the most important work we do and when access is valued as creatively enriching rather than burdensome. The children had real ownership of the work, and that showed.” - Liz O’Neill, CEO and Artistic Director of Z-arts

IMAGES DESCRIPTION
Image 1. Group photo of 12 people smile at the camera.
Images 2 – 7: cards with text from the post

Earlier in December we were thrilled to host our last Lab for the year at Sheffield Theatres.A Deaf-led Lab that explore...
17/12/2025

Earlier in December we were thrilled to host our last Lab for the year at Sheffield Theatres.

A Deaf-led Lab that explored what it means to create a playscript conceived entirely in British Sign Language (BSL).

The ambition for the week was to create a script in BSL, recognising the innate creativity of this beautiful language. More often, scripts are devised in BSL and translated into English or written in English and translated into BSL. The two languages don’t operate in the same way so what is lost in translation?

Over a week creatives experimented with different ways of recording and inventing new processes that pushed the research questions:

- Is it possible to write a script in BSL?

- Is it possible to record that script so that it could be replicated and re-visited and fully reflect its BSL origins?

The week saw the creatives experimenting with different ways of recording, inventing new processes that pushed the questions further still.

Read more on our website: https://buff.ly/dpSBHcn

Look out for our findings in the New Year!

We would like to thank, Lab partner, Sheffield Theatres, and participating artists: writer/actor Rinkoo Barpaga (Made in IndiaBritain), playwright Zoë McWhinney (Deaf Republic), critically-acclaimed BSL dramaturg Daryl Jackson, performer Colly Metcalfe, visual storyteller Beka Haytch, photographer Charlie Swinbourne and stage manager Mary-Jayne Russell de Clifford.

📷 Charlie Swinbourne

Address

London

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Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm

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+442081239945

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