Scottish Borders Pride 2026

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Scottish Borders Pride 2026 Scottish Borders Pride is a Scottish charity, SC055147, regulated by the Scottish Charity Regulator (OSCR).

13/10/2026

BYT Needs YOU! to come and see our new production of Treasure Island.
Friday 16th Oct Smailholm
Saturday 17th Oct, Volunteer Hall Duns.
Friday 23rd Oct, Lilliesleaf
Saturday 24th Oct, Evergreen Hall, Hawick.
Book tickets at https://buytickets.at/bordersyouththeatre/

27/09/2026

Christmas card competition! It may seem like a touch of winter has arrived today, as the rain falls outside the bookshop - so perfect timing to announce our competition for younger folk in our area. We are looking for young artists to design a Christmas card for The Wedale Bookshop and The Reading Room, which will help us raise funds for the Galashiels Foodbank. Under 18+ and love being creative? Get drawing or painting! Further info below, or at https://wedalebooks.scot/children-and-young-people

09/09/2026
02/09/2026

The last - but by no means least of our 2026 Shortlisted poems is A Girl in the City, Another on the Edge by Wiccaspellrose!

Wiccaspellrose has always loved writing, but her dyslexia has caused problems with her punctuation, spelling, and layout. Before this, she has only written for herself, but is currently working on a few different novels including a fantasy novel about a Prince of Time, and a work of Speculative Fiction set in the Borders and Edinburgh. She also writes ghost stories, and a children’s book about a witch and her black cat called Molly the Magnificent. Her dream is to be a published author, so she can go in to schools to encourage young writers, especially her fellow dyslexics.

Wiccaspellrose says her poem is, “about moving from a city to a village, and the fear of not being accepted.” She also says, “I just really thought about why I love living in the Borders, and my insecurities around being gay and moving to a small village, after being attacked in Edinburgh for holding my girlfriend's hand. However, I've never felt more at home here. Everyone is super nice and welcoming, and of course, ‘we're not the only g**s in the village.’”

A Girl in the City, Another on the Edge
Wiccaspellrose

A girl in the city, another on the edge.
Fell in love.
Their eyes caught across a dance floor. Their heart in beat with the music.
One catches her breath, the other moves forward.
Without words. Lips touch. Worlds explode.
Thirty years later, outgrown city noise. They move to a dream of space.
Air. Green trees. Birds singing.

The girl on the edge worries.
Dark fear. Creeping dread. Voices whispering. They won't like you. You're different from them. You won't fit in.
You can't hide in a village of seven hundred people.
They will talk. Point. Ignore.
Stay here where its loud.
Hide amongst the thousands. Hide in plain sight.
You were only jumped once.
Holding hands in public, I mean.
The broken nose set. The pain forgotten.
The one on the edge shook away the dark fog. The mist. The words.
And signed on the dotted line.

The city girl, bold as brass. The one on the edge quiet and cautious.
She moves slowly. Feeling the atmosphere. A mouse twitching her whiskers.
The city girl and the one on the edge walk out. A new life.
The one on the edge pulled to the book shop.
A friendly face. An unsaid knowing. A hello to you, and welcome.
The one on the edge looked around.
Flags of pride. Danced. Fluttered. A grand calling.
A surprise squeeze of the city girl’s hand.
Their eyes caught across the book shop. Their heart in beat with the silence.
One catches her breath. The other whispers
We're home. Lips touch. Worlds explode.

This looks like a really interesting event exploring an important part of LGBT history.
02/09/2026

This looks like a really interesting event exploring an important part of LGBT history.

Our next free author event is fast-approaching! We are so excited to welcome Ashley Douglas to Stow on Thursday 17th September, celebrating her newest book, With My Own Hand - The Secret Poetry of Marie Maitland. Hidden desire and a secret life in the days of Mary, Queen of Scots. Tickets are still available through Eventbrite - go to wedalebooks.scot/events for further details.

01/09/2026

The next of our Shortlisted poems is It Isn’y Halloween by April Golightly!

April Golightly is… A late in life closet-leaver/ Late in life self-believer/ Late in life Borders dweller/ Late in life story-teller/ All life-long a secret writer/ All life-long her thoughts inside her/ Till finally at forty-eight/ Told the world she wasn’t straight/ Wrote a book to share the news/ Self-published it to mixed reviews/ Covid brought another two/ Gave her something fun to do./ So is she a writer? You tell me/ Come to Pride and let us see.

She wrote this poem based on, “a true exchange that happened in Galashiels, and I wanted to focus on how there are many more tolerant and kind people than bigots – although sometimes it’s hard to remember that when you’re in the middle of it. The poem is meant to show resilience and encourage anyone who feels targeted just to be themselves.”

It Isn’y Halloween
April Golightly

I’d been here just about two years, still hadn’t made a friend,
Tried going out for coffees, beers - gave up in the end,
Mainly stayed inside my flat, just went to work and back,
Accepted life would be just that. Till the day of the attack.

See, sometimes people look at me and I’m not what they expect,
Decide they don’t like what they see and that I don’t deserve respect.
I’m not young and I’m not thin but I don’t hide that away,
I wear clothes I feel good in no matter what folk say.

That day I set out from my flat and walked along the street
In bright pink shirt and bowler hat, my pride boots on my feet.
A local chap passed by me and did not like what he’d seen,
So chose to sneer and tell me, ‘It’s not bloody Halloween.’

I’m kinda used to all that stuff, I could have just gone to my car,
But that day I thought enough’s enough – this has gone too far.
I stopped and turned myself around, said, ‘Excuse me, what was that?’
I was anxious but I stood my ground and got ready for a spat.

‘You heard me,’ he called over his shoulder. I said, ‘I heard the words you uttered,
But I wondered why you weren’t bolder? I wondered why you muttered?
If you have something to say to me then say it to my face,
We’ll agree to disagree, but say it with good grace.’

And then as if a sewer burst, he vented out his bile,
Called me names, and swore, and cursed in ungentlemanly style.
I won’t give air to what he said - you’ve heard it all before.
He lives with that poison in his head like a weeping canker sore.

No, the part I want to focus on is the decent Gala folk
Who heard and did not just walk on but challenged how he spoke:
The lass who told him to shut his face, the one who checked I was okay,
The lad who chased him from the place, the man who made him go away.

And the little girls, just about eight, who ran up when he’d fled,
‘We want to say that you look great, so don’t be sad’ they said.
A good place to conclude this tale if an ending that could be,
But sadly kindness can’t always curtail the nastiness we see.

Yes, I’m a le***an, fat and old, and I dress like a costume ball,
If my choice of fashion leaves you cold, I do not care at all.
I’m not harming you, my style is my own, and I just don’t give a damn.
Love me or loathe me or leave me alone - I am what I am.

01/09/2026
31/08/2026
31/08/2026

The first of our shortlisted poems is The Mo(u)rning After Old Town Pride by Gwenhwyfar Ferch Rhys.

Gwenhwyfar Ferch Rhys is a writer and spoken word artist from a farm near Hawick. After being appointed a young makar she performed at festivals like StAnza, Wigtown, and Dandelion, and on platforms likes BBC Radio Scotland and the Commonwealth Games. After escaping the farm, she fled to Trinity College Dublin, where she was the editor of Ireland’s oldest arts magazine, Icarus. Since being tranquilised, recaptured and returned to the stables, she has competed at slams like Loud Poets and StoryTree and brought solo shows to the Edinburgh Fringe. Her work is published by – among others – Gutter, 404Ink, and Bloomsbury.

Gwenhwyfar speaks of the inspiration for this poem, “The week after I turned 18 I went to my first Pride - in Edinburgh, since there was no Borders Pride then, of course. The morning after, I rode home on the Tweedbank line with a friend, who for years had been out as bi and very vocal about LGBT rights. We had been falling out lately and I felt that despite her professed status as a trans ally, she implicitly did not accept me as a trans woman. That was the last time I saw her; she went on to become openly transphobic and, last I heard, straight-identifying. The language of the Border Reivers, which the poem is framed around, came to me as the perfect way to express this experience. Their endless skirmishing – arguably necessitated by institutional failings at the time - speaks powerfully to the feeling of these unassuageable battles between my former friend and I, as well as the ‘culture wars’ that framed these interactions: ceaseless, arbitrary conflict that costs everything and means nothing.”

The Mo(u)rning After Old Town Pride
Gwenhwyfar Ferch Rhys

we’re (g)reiving down the Tweedbank line
through all the cows we could not capture: you,

gala-bound beneath your helm of lais, entire outfit battle-worn:
your winged eyeliner twinned with Jedburgh
staves spattered in glitter dry-blood brown
as the shunt-together-colour of all paraid’s detritus.

And I, so transparent then I’m visible only in reflection -
some bloke’s face a distant shaving in the haft-maker’s-workshop sky -
while mind made off with spreath of thoughts
of how this war become so cultured,
finding the culprit in the raiding plans I’d mustered in my notebook
and diagrams of hacked up kinship groups all convoyed round
this poem. I was already gearing out to storm your inbox later.

And later, you’d retaliate and force a feuding sequence.
But all there was in the Borderlands between us then
was how - if not in Rhymer’s prophecy then at least slating up some Day of Truce –
you hoped that one day this countryside would lie half as open-minded
as it lay
yawningly open
that the Tweed valley would meet us, slopes outstretched enough
to drive our Lawless Marches home from Town,
or at least provide some common ground
that we could meet on, weapons down.
And my only doubt about that hope was that you’d still be q***r to see it.

For at the age when we did down our arms it was not to bury the hatchet
but plant ourselves into positions where we’re ever crossing (g)lances
where we reive the land between us
‘til there is no field of battle,
‘til skelpt of flesh and plain bereft
of so much more than cattle.

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Galashiels

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